A veteran tracker with the Fish and Wildlife Service helps to investigate the murder of a young Native American woman, and uses the case as a means of seeking redemption for an earlier act of irresponsibility which ended in tragedy.
When their headquarters are destroyed and the world is held hostage, the Kingsman's journey leads them to the discovery of an allied spy organization in the US. These two elite secret organizations must band together to defeat a common enemy.
An other-worldly fairy tale, set against the backdrop of Cold War era America circa 1962. In the hidden high-security government laboratory where she works, lonely Elisa (Sally Hawkins) is trapped in a life of isolation. Elisa's life is changed forever when she and co-worker Zelda (Octavia Spencer) discover a secret classified experiment.
Guillermo del Toro
Darren Aronofsky submitted a written statement about the film when it premiered at the Venice Film Festival, in which he revealed that he wrote the first draft of the script in 5 days ("a fever dream," he called it) and that the idea was inspired by current events, "the endless buzzing of notifications on our smartphones," and his experiences going through Hurricane Sandy in downtown Manhattan. "It is a mad time to be alive," he wrote. He also wrote that the film should be "drunk as a single dose in a shot glass. Knock it back." See more »
The music in the first half of the end credits is followed by a long period with only quiet ambient noise. The near-silence is broken when Javier Bardem's character's calligraphy is inscribed in white ink next to (and sometimes over) the remaining credits. See more »
Maybe the intention was to make a terrifying comedy about, about, about...well, I'm not sure. A Mother! like that with an exclamation mark? An artist with an ego bigger than their house? Who knows. I certainly tried to cling on to something but I couldn't. It seems like a terrible confession to make but the truth is I couldn't care less about that mother because I didn't believe in her plight and couldn't understand her behavior. Jennifer Lawrence is a terrific actress we all know that but here, she screams and screams while I glanced at my watch with mounting impatience. Borrowing from other, better films, doesn't help, on the contrary, it irritates. Rosemary's Baby came to mind as well as The Tenant, Apartment Zero, Common Wealth. All films that terrified me without explicit gore and superb screenplays. Mother! seems like an interesting idea totally derailed by an out of control ego.
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