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Moonlight (2016)

R | | Drama | 18 November 2016 (USA)
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A chronicle of the childhood, adolescence and burgeoning adulthood of a young, African-American, gay man growing up in a rough neighborhood of Miami.

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(screenplay by), (story by)
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321 ( 59)
Won 3 Oscars. Another 211 wins & 259 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Azu (as Duan 'Sandy' Sanderson)
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Little (as Alex Hibbert)
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...
Herman 'Caheei McGloun ...
Longshoreman (as Herman 'Caheej' McGloun)
Kamal Ani-Bellow ...
Portable Boy 1
Keomi Givens ...
Portable Boy 2
Eddie Blanchard ...
Portable Boy 3
Rudi Goblen ...
Gee (as Rudi Goblin)
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Mr. Pierce
...
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Storyline

Three time periods - young adolescence, mid-teen and young adult - in the life of black-American Chiron is presented. When a child, Chiron lives with his single, crack addict mother Paula in a crime ridden neighborhood in Miami. Chiron is a shy, withdrawn child largely due to his small size and being neglected by his mother, who is more concerned about getting her fixes and satisfying her carnal needs than taking care of him. Because of these issues, Chiron is bullied, the slurs hurled at him which he doesn't understand beyond knowing that they are meant to be hurtful. Besides his same aged Cuban-American friend Kevin, Chiron is given what little guidance he has in life from a neighborhood drug dealer named Juan, who can see that he is neglected, and Juan's caring girlfriend Teresa, whose home acts as a sanctuary away from the bullies and away from Paula's abuse. With this childhood as a foundation, Chiron may have a predetermined path in life, one that will only be magnified in terms... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

This is the story of a lifetime.

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for some sexuality, drug use, brief violence, and language throughout | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

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Country:

Language:

Release Date:

18 November 2016 (USA)  »

Also Known As:

Luz de luna  »

Filming Locations:

 »

Box Office

Budget:

$1,500,000 (estimated)

Opening Weekend:

$1,488,740 (USA) (18 November 2016)

Gross:

$27,850,912 (USA) (28 April 2017)
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Company Credits

Production Co:

, ,  »
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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Pricewaterhouse-Coopers, the accounting firm responsible for tabulating the results, preparing awards envelopes and handing them to presenters apologized unreservedly to the makers of La La Land (2016) and Moonlight, as well as everyone involved, after an envelope mix-up caused the former to be incorrectly announced as Best Picture: "We sincerely apologize to Moonlight, La La Land, Warren Beatty, Faye Dunaway, and Oscar viewers for the error that was made during the award announcement for Best Picture. The presenters had mistakenly been given the wrong category envelope and when discovered, was immediately corrected. [sic] We are currently investigating how this could have happened, and deeply regret that this occurred. We appreciate the grace with which the nominees, the Academy, ABC, and Jimmy Kimmel handled the situation." See more »

Goofs

When young Chiron eats as a guest he is seen holding his fork differently than the adult Chiron in the diner at the end of the movie. See more »

Quotes

Little: [innocently] What's a faggot?
Juan: A faggot is... a word used to make gay people feel bad.
[pause]
Little: Am I a faggot?
Juan: No. You're not a faggot. You can be gay, but you don't have to let nobody call you a faggot.
See more »

Crazy Credits

There are no opening credits. See more »

Connections

Referenced in Good Morning Britain: Episode dated 2 March 2017 (2017) See more »

Soundtracks

Chef's Special
(uncredited)
Written by Nicholas Britell
Performed by Nicholas Britell
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Frequently Asked Questions

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User Reviews

 
Two wasted hours
26 February 2017 | by (Philadelphia) – See all my reviews

Yes, it had good acting. Yes, it was technically well made. But there's no there there. For us it never achieved liftoff. It kept plodding on and on, nothing really wrong with it, but nothing to justify spending two hours on. In the end (and at the end) we were left wondering, why is the end now? Why not 30 minutes before or 30 minutes after? Possibly a good movie for film buffs/critics who are tired of the same old thing, but for the occasional movie goer, we can do better.


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