Through the eyes of famous chefs, audiences will see how they make the most of every kind of food, transforming what most people consider scraps into incredible dishes that create a more secure food system.
Set over one summer, the film follows precocious 6-year-old Moonee as she courts mischief and adventure with her ragtag playmates and bonds with her rebellious but caring mother, all while living in the shadows of Disney World.
A twist on the slasher genre, following two death-obsessed teenage girls who use their online show about real-life tragedies to send their small mid-western town into a frenzy and cement their legacy as modern horror legends.
As a Hitchcock fan, the premise of 78/52 really excited me. Like many cinephiles, I love Psycho...for its boldness, brilliant pacing and unforgettable performances.
One thing I enjoyed about 78/52 was the collective passion for the subject matter (the famous Psycho "shower scene"). The excitement from the filmmaker and interviewees was quite contagious; making the film very watchable from beginning to end.
I enjoyed the film's exploration of the shower scene's impact on cinema; specifically, its influence on Scorsese (and Raging Bull) as well as how the scene inspired an entire genre of subsequent 'slasher' films.
BUT...with that said, I struggled to find "new news". There is extensive research and discussion on Hitchcock and Psycho. A lot has already been explored. I found that 78/52 fell short of offering any fresh insight. Maybe it is because the documentary's interviews (mostly with with film editors) felt like a series of fanboys gushing over Hitchcock's brilliance. I found this to be quite tedious.
Lastly, I think the film needed to discuss Hitchcock's (unhealthy) relationship with women as an influence on his obsession with the shower scene. It is well-documented that Hitchcock subjected some of his actresses to forms of abuse (Tippi Hedren, Vera Miles). While Janet Leigh was always extremely professional/positive toward Hitchcock, I think the Psycho's shower scene desperately needs examination of Hitchcock, his own sexual obsessions with voyeurism and his general view of women.
If you're Hitchcock fan, I think you'll find 78/52 quite satisfying; even if it does fall a bit short of something new.
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