WWII American Army Medic Desmond T. Doss, who served during the Battle of Okinawa, refuses to kill people, and becomes the first man in American history to receive the Medal of Honor without firing a shot.
The adventures of Gustave H, a legendary concierge at a famous hotel from the fictional Republic of Zubrowka between the first and second World Wars, and Zero Moustafa, the lobby boy who becomes his most trusted friend.
F. Murray Abraham,
Aspiring actress serves lattes to movie stars in between auditions and jazz musician Sebastian scrapes by playing cocktail-party gigs in dingy bars. But as success mounts, they are faced with decisions that fray the fragile fabric of their love affair, and the dreams they worked so hard to maintain in each other threaten to rip them apart. Written by
Producer Marc Platt told a story that on the last day of filming the sun was setting and Damien Chazelle delayed announcing the wrap, instead grabbing a handheld camera to start filming the sunset. Platt realized that Chazelle did not want production to end. As darkness fell, Platt walked over to Chazelle to tell him they had nothing left to film without light, upon which Chazelle sadly agreed to call it a day. See more »
When Sebastian and Mia are walking on the Warner Brothers Lot when she leaves work, there are a few audio/visual mismatches during the medium shots of them walking along the sidewalk. See more »
What is that? Is that a script?
It's a play.
A play? You better give us all roles!
Actually, it's a one-woman-show, so I can't...
[after Sebastian honks car horn outside Mia's apartment]
Is that gonna happen every time?
I think so.
See more »
The Summit Entertainment logo has an old-time variant where it looks like a matte painting of a mountain in a box and the word "Summit" above it. See more »
Writer/Director Damien Chazelle, who already had a nice career going for him, explodes into the Bigtime with this delightful, mesmerizing, and completely unexpected ode to Tinseltown.
The opening sequence (satirized on the Golden Globes) really does not do the rest of the film justice. It is as if the cast from the FAME remake grew up, had children of their own, and then those children hijacked the Santa Monica freeway to do a 10 minute flash-mob dance sequence.
From that point on, the film is hypnotic.
We segue to a love story as pure as anything since the great dramas of the 1940s. If the film had been in B&W, you would almost have expected to see Bette Davis in a 3-hankie tear jerker.
Except for the musical interludes, of course, which are pitch perfect and totally wonderful.
Gosling is surprising as a leading man expected to do song and dance, but he delivers the goods.
Stone, who was supposed to be "the next big thing" after Easy A (2010), steals the film and possibly the hearts of the audience as well. The awards should flow like water, and she will deserve every one.
As I said, deep in the DNA this is an ode to Hollywood. The film industry has always had issues with endings -- back in the day they would film several different endings per picture -- and then decide at the last minute which to use. Here Chazelle pays homage to that by giving us an alternate ending, along with the "real" ending, along with a closing sequence designed to remind everyone that nothing in Hollywood is actually real, but everything still can be really fun.
Destined to be a classic. Recommended.
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