Following the tragic end of her brief superhero career, Jessica Jones tries to rebuild her life as a private investigator, dealing with cases involving people with remarkable abilities in New York City.
When a sabotaged experiment gives him super strength and unbreakable skin, Luke Cage becomes a fugitive attempting to rebuild his life in Harlem and must soon confront his past and fight a battle for the heart of his city.
Spoiled billionaire playboy Oliver Queen is missing and presumed dead when his yacht is lost at sea. He returns five years later a changed man, determined to clean up the city as a hooded vigilante armed with a bow.
As a child Matt Murdock was blinded by a chemical spill in a freak accident. Instead of limiting him it gave him superhuman senses that enabled him to see the world in a unique and powerful way. Now he uses these powers to deliver justice, not only as a lawyer in his own law firm, but also as vigilante at night, stalking the streets of Hell's Kitchen as Daredevil, the man without fear. Written by
Both original showrunner/developer Drew Goddard and showrunner Steven S. DeKnight were writers for Mutant Enemy, production company of Joss Whedon. Both Goddard and DeKnight wrote for Whedon's shows Buffy the Vampire Slayer (1997) and its spinoff, Angel (1999). All three were, as of 2015, developing Marvel properties; Avengers: Age of Ultron (2015), the since canceled The Sinister Six and Daredevil (2015) for Whedon, Goddard, and DeKnight, respectively. Daredevil and The Avengers are property of Marvel Studios and exist in the Marvel Cinematic Universe (MCU) while The Sinister Six is a spinoff of Sony's abandoned The Amazing Spider-Man series. Because of the deal made between the two studios on February 2nd, 2015, Spider-Man is now able to be included in the MCU, as seen in 2016's Captain America: Civil War. Whedon, Goddard, and DeKnight are now, again, contributing to the same intellectual property. See more »
In nearly every scene in which a character is wearing glasses, the reflection of the lighting reflector panel can be clearly seen in the lenses. In many scenes, the actual camera lens is also visible. See more »
Why are you doing this?
'Cause I think you're a half-measure. I think you're a man who can't finish the job. I think that you're a coward.
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The opening credits is a montage of silhouettes emerging from a red background, in the manner of blood dripping over everything and revealing hidden objects. See more »
Those familiar with comics will know Frank Miller's run on Daredevil is up there with the highest points of his career. Other writers, such as Bendis and Brubaker, hit similar highs in their writing of the character. It's something about Daredevil that brings out incredible storytelling, whether it be the downtrodden and persevering Matt Murdock or the gritty realism of the setting in contrast to the colorful heroes that populate comic books, Daredevil has had a history of fantastic luck with having its potential tapped on paper.
Now, that potential has been tapped on the screen. From the first episode you can tell the property has been adapted with love and a lot of hard work. The cinematography is beautiful in every frame. The characters could not have been cast better. If this weren't actually a better deal for fans, getting 13 hours of (excellent) content, I would hope Charlie Cox could front a Daredevil movie franchise. Because he could carry it.
Daredevil has been the star of some of the best comics ever written, so the adaptation was always going to come under scrutiny. But how it holds up against them? This might actually be better.
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