After ten years abroad, Catherine returns to Luxembourg to catch up with her daughter Alba, brought up by Catherine's mother Elisabeth. She then kidnaps Alba and takes her on a trip to a lake up North.
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Drawing some intriguing parallels between the work of the prostitute and that of the psychiatrist-both have clients, both charge for sessions, both take on roles that serve the needs, ... See full summary »
An engaged but a-polical nurse gets involved in a far right political party. Based on numerous recent events in France it actually is about how Front National operates and how it is perceived by the french.
Based on the true story of acclaimed music icon "Dalida" born in Cairo, who gained celebrity in the 50s, singing in French, Spanish, Arabic, Hebrew, German, Italian, playing in awarded ... See full summary »
Because of the stupid life in a pâté-factory, former singer Laura falls in love with a colleague, a much younger boy and boxer, and after a small performance, a reenactment of her singing character, she tries to reenter the national song contest. Written by
In the beginning, Liliane's monotonous, dull everyday life is shown. As a habit she reads a novel written by Marilyn French in the bus. In a following sequence, Jean and Liliane talk about ABBA. This is might be a reference to the ABBA song "The day before you came" about a woman telling the mundane details of her everyday-life of which reading Marilyn French is a part - until she meets - possibly - the love of her life. See more »
While sharing a bath with her Beaux, Isabelle Huppert's character is seen wearing a bra Dissapointing for him... See more »
This is an unapologetic 'feel good' film, which could fall into being saccharine but for Isabelle Huppert's fine performance as actress and chanteuse. The film wishes to recall the musicals from Hollywood's classic era in a decidedly modern way. e.g. with mobile telephones.
The premise is that Liliane (Huppert) was once a rising singer, whose stage name was Laura, until her marriage to her manager fell apart. Afterwards she withdrew into such obscurity that no one would guess a pate packer was once a rising star who represented France in the Eurovision song contest.
Enter a young man, Jean, who is considerably younger than Lilian but who remembers Laura because his dad was a devotee and Jean knows all her songs. When he confronts Liliane she denies being Laura initially but eventually she admits her former existence. After a one-off performance for Jean's boxing club, Liliane - and Jean - find it hard to return Laura to obscurity and so begins a tale of desire, unlikely love and lost ambition.
The story all makes sense when viewed through the eyes of a 1930's audience whose desire for wish fulfilment would be unconcerned with plausibility. To enjoy the film it helps to place realism to one side and follow fantasy and yearning especially when it beckons in the form of Huppert singing love songs with specific hand/arm choreography and costumed in resplendent dresses.
Isabelle Huppert did her own singing to music from Pink Martini and lyrics co-written by the director and producer. Her moments on screen singing are some of the best. Is there nothing this woman cannot do? The best way to enjoy this film is when you need a tonic, a pick me up because life is being punchy. It is, as the director said, a "Sunday afternoon" film.
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