Obsessed with the disappearance of a 12-year-old pregnant girl near a freezing lake in New Zealand, a brave detective will find herself up against small-town secrets and a side of herself that was meticulously kept at bay.
Out of the blue, a Silk 41 regular offers a probably pivotal breakthrough, furthermore, Mary's 18th birthday will yield the fruits of shock and devotion, hand in hand with a sinful suggestion and an ...
A seemingly cold but very passionate policewoman goes head to head with a seemingly passionate father who is in fact a cold serialist in this procedural out of Belfast. The only thing they share is their common complexity.
As she grapples with pregnancy D.I. Helen Weeks must return to the hometown she loathes to help her childhood best friend, who finds herself at the centre of a media frenzy following the abduction of two girls.
Marcella Backland left the Metropolitan Police for the sake of her family, only to have her husband leave her. She returns to her job on the murder squad, investigating a case that seems disturbingly familiar to her.
In New Zealand's rugged and mountainous South Island, Tui Mitcham, a 12-year-old pregnant girl, has been missing in a vast area near a lake with glacial waters. She is already five months pregnant, moreover, she keeps the father's name to herself. For this reason, Sydney's brave, yet inexperienced Detective Robin Griffin who specialises in crimes against minors comes to her rescue, returning reluctantly back to her hometown and her well-hidden past. Inevitably, this alarming and mysterious case of disappearance will bring the determined detective up against long-lost acquaintances, and eventually, innocent Tui's uninvolved father Matt who has earned quite an unholy reputation in the region. In the end, as Robin gets gradually obsessed with solving the obscure case, her investigation will shortly lead her to a recovery camp led by the enigmatic sexagenarian silver-haired guru GJ, and a side of herself, that up until now, was meticulously kept at bay. Written by
Top of the Lake follows you around long after you've finished an episode (or the entire series, for that matter). It operates with a sophisticated sense of naturalism, which probably initially alienated many viewers begging to be bashed over the head with plot details. This is not simply a subtle noir, but a meditation on identity, which provides the necessary ammunition for some powerful performances from Elisabeth Moss, David Wenham, Peter Mullan and Holly Hunter, as well as others.
This is an atmospheric detective story, not an action-packed whodunnit. You will find yourself both disgusted with and moved by humanity as the finale's credits roll.
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