6.1/10
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Vacation (2015)

Trailer
2:34 | Trailer

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Rusty Griswold takes his own family on a road trip to "Walley World" in order to spice things up with his wife and reconnect with his sons.

Directors:

, (as Jonathan M. Goldstein)

Writers:

(as Jonathan M. Goldstein), | 1 more credit »
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Popularity
654 ( 391)
1 win & 3 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Sheila Peterson (as E'myri Crutchfield)
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Storyline

Hoping to bring his family closer together and to recreate his childhood vacation for his own kids, an adult Rusty Griswold takes his wife and two sons on a cross-country road trip to Walley World. Needless to say, things don't go quite as planned.

Plot Summary | Plot Synopsis

Taglines:

What could go wrong?

Genres:

Adventure | Comedy

Motion Picture Rating (MPAA)

Rated R for crude and sexual content and language throughout, and brief graphic nudity | See all certifications »

Parents Guide:

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Details

Official Sites:

| |  »

Country:

Language:

Release Date:

29 July 2015 (USA)  »

Also Known As:

Vacaciones  »

Filming Locations:

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Box Office

Budget:

$31,000,000 (estimated)

Opening Weekend:

$14,681,108 (USA) (2 August 2015)

Gross:

$58,884,188 (USA)
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Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The car in the movie, the Tartan Prancer, borrows parts from a few real production vehicles. Most notably, the main body is from the first-generation Toyota Previa, while the headlights and taillights have been taken from the Land Rover LR3. Like the Family Truckster from National Lampoon's Vacation (1983), the Tartan Prancer serves as a commentary on the current auto industry. While the Family Truckster made light of the styling and excess of cars in the 1980s, the Prancer pokes fun at the over-the-top (and often flawed) technology that has shown up in the auto industry during the 2010s. See more »

Goofs

When the car runs out of gas, why didn't they use the CB radio to call for help? See more »

Quotes

Debbie Griswold: James, you are not going to fight.
James Griswold: I am not going to stand here like a little bitch.
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Crazy Credits

In both the opening and closing credits, vacation photos are showed that are partially obscured. Whatever is covering part of the photo is moved away, usually revealing a humorous twist. See more »

Connections

Spoofs Chariots of Fire (1981) See more »

Soundtracks

11th Dimension
Written and Performed by Julian Casablancas
Courtesy of RCA Records
By arrangement with Sony Music Licensing
Courtesy of Rough Trade Records Ltd
By arrangement with Beggars Group Media Limited
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Frequently Asked Questions

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User Reviews

 
Contrived, tasteless, unfunny
28 July 2015 | by (United States) – See all my reviews

Really scraping the bottom of the barrel here, as supposed Rusty Griswald attempts to bring his family together by locking them together in a car for a week, and remaking his original trip to Hell, aka Wally World.

A variety of gross-out gags follow, each more tasteless (and therefore more boring) than the one before it, as the family is followed by a seemingly obsessed truckie, goes swimming in an open sewer, and, in a pointless vignette, visit supposed Audrey and her husband on a lavish farmhouse- and while this audience member wondered why Rusty has become even more stupid than Chase was in the first film.

Subplot involving son's romance with a cute girl traveller was potentially amusing, but her character disappears after only a couple of scenes. The youngest son needed to be tasered, he was such an obnoxious twit; completely irredeeming character.

Chevy Chase and Beverly D'Angelo's characters put in brief cameos in the film's penultimate scene, as does the Wagon Queen Family Trickster, looking as grotesque as ever, in this far too self aware rehash/ reboot.

Seemingly every other scene's climax was given away in the two trailers, which made me feel as though I had already watched the film before.

I give this film a 3/ 10, one point for each time I chuckled during this film's seemingly never ending run-time.


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