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Watchmen (2009)

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In 1985 where former superheroes exist, the murder of a colleague sends active vigilante Rorschach into his own sprawling investigation, uncovering something that could completely change the course of history as we know it.

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(screenplay), (screenplay) | 1 more credit »
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300 ( 87)
11 wins & 22 nominations. See more awards »
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Cast

Cast overview, first billed only:
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Pat Buchanan (as James Micheal Connor)
Mary Ann Burger ...
Eleanor Clift
John Shaw ...
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Storyline

In a gritty and alternate 1985 the glory days of costumed vigilantes have been brought to a close by a government crackdown, but after one of the masked veterans is brutally murdered an investigation into the killer is initiated. The reunited heroes set out to prevent their own destruction, but in doing so discover a deeper and far more diabolical plot. Written by evan murphy

Plot Summary | Plot Synopsis

Taglines:

Who will save us now? (DVD tagline) See more »


Motion Picture Rating (MPAA)

Rated R for strong graphic violence, sexuality, nudity and language | See all certifications »

Parents Guide:

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Details

Official Sites:

Country:

Language:

Release Date:

6 March 2009 (USA)  »

Also Known As:

Watchmen: The IMAX Experience  »

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Box Office

Budget:

$130,000,000 (estimated)

Opening Weekend USA:

$55,214,334, 8 March 2009, Wide Release

Gross USA:

$107,509,799, 28 May 2009

Cumulative Worldwide Gross:

$185,258,983
See more on IMDbPro »

Company Credits

Show more on  »

Technical Specs

Runtime:

| (Director's Cut) | (Ultimate Cut)

Sound Mix:

| |

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

When Dan Dreiberg and Hollis Mason watch a television news report referencing Rorschach, they see a black and white 'file footage' of Rorschach walking quickly away and to the right of the camera position, glancing back over his right shoulder momentarily and then continues walking away. That footage is intentionally designed to precisely mimic the infamously-disputed film of Bigfoot (known as the Patterson-Gimlin Film (1967)). See more »

Goofs

When the reporters are talking to Veidt in his office, they refer to him as being only the second hero to reveal his identity, after Hollis Mason. It is true that in the opening montage, a bomber is seen with Silk Spectre's alias "Sally Jupiter" emblazoned on its side. Her real last name was Juspeczyk. She assumed the name Sally Jupiter because she did not wish to be known as being Polish. No one would be able to just look her up in the phone book so she did not really reveal her true identity. See more »

Quotes

Dan Dreiberg: Adrian's a pacifist. He's a vegetarian, for chrissakes. He's never killed anyone in his life.
Rorschach: Hitler was vegetarian. You're squeamish, leave him to me. We won't get second chance.
See more »

Crazy Credits

The opening credits themselves often cast shadows in the frame that correspond with the flashes from photographer's bulbs. See more »


Soundtracks

First We Take Manhattan
Written and Performed by Leonard Cohen
Courtesy of Columbia Records and Sony Music Entertainment (Canada)
By arrangement with Sony Music Entertainment
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
We All Watch the Watchmen
26 February 2009 | by See all my reviews

Let's get this out of the way - Watchmen the movie is not as good as the graphic novel.

Zack Snyder's Watchmen is not your average graphic novel adaptation. Unlike with 300, which was short and sharp and shallow and easy to adapt, the original Watchmen is incredibly dense and, as written, unfilmable. So Snyder did something very smart - he didn't even try. What he did instead was to take the world of Watchmen and rebuild it in a way which made a virtue of this new medium (film) rather than try to cram the graphic novel into a cinematic form.

Nowhere is this approach more obvious than in the film's title sequence. A wonderfully composed collage of images depicts scenes from the universe of Watchmen in a way which is only possible in the movies. In this way, we are subconsciously introduced to a world where costumed heroes are a part of everyday culture and brought, in a stylish and fluid way, from the original days of the Minutemen to those of the Watchmen. This introduction is cinematically perfect and is indicative of the heights which the Watchmen movie is perfectly capable of achieving but not quite capable of sustaining.

Watchen is a brave film for a major studio to make and without a doubt it would not exist in its present form without the success of 300. It is incredibly dark (both in tone as well as shooting style) with events that would be anathema to any other superhero story. The less you know about the story, the better so there will be no spoilers here but suffice to say Watchmen's version of a happy ending is a far cry from the Hollywood norm.

Snyders brings his unique approach to action to bear on Watchmen, expanding on the action scenes in the comic without making it feel too redundant. His efforts are ably supported by the incredibly game cast, excellent cinematography and near perfect visual effects - this film is incredible to look at but also manages to create an entire world in a way which most superhero stories never do. The attention to detail in even the smallest scenes is commendable and the dense flashback structure means the same attention is paid to the presentation of full and complex characters.

Snyder has made a film which is gorgeous to look at, agreeably violent, well written, wonderfully designed and features some of the best small scale action sequences ever committed to celluloid. But, naturally, not everything is perfect. Most of the performances are excellent, with a cast of relative unknowns who manage to distinguish themselves despite constantly competing with overbearing effects and design. Patrick Wilson, in particular, does great work with a difficult role as Nite Owl, while Jackie Earle Hayley is blistering as Rorschach. Unfortunately in a film which could have done with a strong female presence, neither Carla Gugino nor Malin Ackerman make much of an impression, despite having quite a lot of screen time. Synder's musical cues are another bone of contention - often pushing the tone of the film into the realm of parody. And the ending... well let's just say it cheapens the experience in search of the lowest common denominator and the whole package suffers. On a related note, neither of the stories major revelations are handled that well. These moments were genuinely shocking in the graphic novel but are almost glossed over in the film.

Don't get the wrong impression, Watchmen is a good film, sometimes a great film. Snyder has managed to make a movie which is a terrifically well balanced compromise between accessibility and fidelity. That anyone can sit down in the cinema and experience a distillation of the Watchmen universe in just 163 minutes is a marvel. It does not deliver the depth of feeling and connection of the novel but that is more a matter of the differences in the media than a failure on the part of the film.

On its own merits, Zack Synder's Watchmen is a dark and twisted tale peopled with complex characters whose motivations are not obvious even to themselves. It is a solid film, sometimes rising into the extraordinary, and deserves to be successful. This is not Alan Moore's Watchmen but it is a competent extension of the universe into another medium and a worthy cinema-going experience.


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