When a young man agrees to housesit for his boss, he thinks it'll be the perfect opportunity to get close to the woman he desperately has a crush on - his boss's daughter. But he doesn't ... See full summary »
On a flight from Los Angeles to New York, Oliver and Emily make a connection, only to decide that they are poorly suited to be together. Over the next seven years, however, they are ... See full summary »
A vacationing woman meets her ideal man, leading to a swift marriage. Back at home, however, their idyllic life is upset when they discover their neighbors could be assassins who have been contracted to kill the couple.
Percy and Marilyn are renewing their vows for their anniversary, and their daughter Theresa brings her boyfriend Simon for them to meet. Unbeknownst to her parents, the kids plan to announce their engagement during the weekend. The Jones family is Black; Theresa neglects to tell them Simon is White. Race complicates Percy's general mistrust of any boyfriend, so he instigates an investigation of Simon, discovering he's recently lost his job and hasn't told Theresa. Mistrust rears its ugly head, and in the process of Theresa and Simon's argument, Marilyn and Percy fall out. What can the men do to cross the divide between each other and between men and women? Will anyone be exchanging vows? Written by
The director's reason for making the film? "I have a 12-and-a-half-year-old daughter who's beautiful, and I'm sure she's going to come home one day with some Lithuanian, Samoan, punk-rock drummer dude, and I thought if I did this movie I'd be able to work out my issues before that day comes." See more »
Right after the "NASCAR scene" in the kitchen, Theresa is shown taking off her jacket. The camera cuts to Simon, then back to Theresa and we see her taking off her jacket again. See more »
I don't want to hear about you sleeping with my daughter - you're sleeping with me now.
See more »
During the credits we get to see the home video of the wedding, and hear the main characters comment on the events. See more »
The thing about my baby, it don't matter if you're black or white.
Ashton Kutcher is going out with Zoe Saldana and while they do not have a problem with their relationship a lot of other people do. That's because Kutcher is white and Saldana, welllll, isn't. One of the main people having a problem with their relationship is Bernie Mac (playing Saldana's father), about to meet his daughter's partner for the first time and completely unprepared for the obvious racial differences between them. It's a remake of Guess Who's Coming To Dinner for the MTV generation.
I like Ashton Kutcher and I also like Bernie Mac so this movie benefits from their central performances. It also has to be said that the rest of the cast do just as well and are all likable enough. So the cast isn't a problem.
There is also a little bit more going on here than you might expect, with the movie admirably tackling not only racism from one point of view but any prejudice between races, generations and classes. It's actually a bit braver than most during some moments (ie, Kutcher relating a number of "black" jokes at the dinner table) but then, sadly, dwindles back to rom-com clichés whenever scenes are lacking any tension.
The direction from Kevin Rodney Sullivan is blah, everything stays within very standard Hollywood limits and, for the most part, it's unexciting, safe movie-making at its most average with character development at its lamest. Which is a shame. Because I DO like Ashton Kutcher and Bernie Mac.
See this if you like: Just Married, Save The Last Dance, Soul Man.
4 of 5 people found this review helpful.
Was this review helpful to you?