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Chicago (2002)

PG-13 | | Comedy, Crime, Musical | 24 January 2003 (USA)
Murderesses Velma Kelly and Roxie Hart find themselves on death row together and fight for the fame that will keep them from the gallows in 1920s Chicago.

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(screenplay), (book) | 2 more credits »
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Cast

Cast overview, first billed only:
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Cliff Saunders ...
Stage Manager
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...
...
...
Mrs. Borusewicz
...
Police Photographer
Roman Podhora ...
Sergeant Fogarty
...
...
Robert Smith ...
Newspaper Photographer (as Rob Smith)
Sean Wayne Doyle ...
Reporter
Steve Behal ...
Prison Clerk
Robbie Rox ...
Prison Guard
...
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Storyline

Murderesses Velma Kelly (a chanteuse and tease who killed her husband and sister after finding them in bed together) and Roxie Hart (who killed her boyfriend when she discovered he wasn't going to make her a star) find themselves on death row together and fight for the fame that will keep them from the gallows in 1920s Chicago. Written by Debpp322

Plot Summary | Add Synopsis

Plot Keywords:

jazz age | remake | fame | murder | jail | See All (106) »

Taglines:

With the right song and dance, you can get away with murder. See more »

Genres:

Comedy | Crime | Musical

Motion Picture Rating (MPAA)

Rated PG-13 for sexual content and dialogue, violence and thematic elements | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

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Country:

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Language:

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Release Date:

24 January 2003 (USA)  »

Also Known As:

Chicago: The Musical  »

Box Office

Budget:

$45,000,000 (estimated)

Opening Weekend:

£113,386 (UK) (29 December 2002)

Gross:

$170,687,518 (USA) (4 September 2003)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| |

Color:

(mock newsreel)|

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Adapted from a 1975 musical play directed and choreographed by Bob Fosse, whose other credits include the films Cabaret (1972), Lenny (1974) and All That Jazz (1979). The stage musical "Chicago" premiered at the 46th Street Theatre (now known as the Richard Rodgers Theatre) in New York on May 12, 1975 and ran for 936 performances. Its opening night cast included Jerry Orbach as Billy Flynn, Chita Rivera as Velma Kelly (Rivera later played Roxie Hart in a 1990s London production and also has a bit part in this film), Gwen Verdon as Roxie Hart and Barney Martin as Amos Hart. A 1996 Broadway revival of the musical was even more successful and is still running as of this date (Oct. 2008). See more »

Goofs

During the "I Can't Do It Alone" number, when Velma kneels on the table in front of Roxie, her stocking develops a run under her knee. The run disappears and reappears through the rest of the song. See more »

Quotes

Roxie: You want some advice, well here's a piece of advice from me to you, lay off the caramels.
[She winks]
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Crazy Credits

The end credits are written in Broadway lights. See more »

Connections

Referenced in Burlesque (2010) See more »

Soundtracks

Nowadays
(1975)
Music by John Kander
Lyrics by Fred Ebb
Performed by Renée Zellweger
Published by Unichappell Music, Inc. (BMI)
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Frequently Asked Questions

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User Reviews

Wicked & Saucy ..... & Oh So Very Naughty......
24 January 2003 | by (Sydney, Australia) – See all my reviews

Having just seen "Chicago", I must say I was very impress. Kudos to all involved. Rob Marshall has done a fine job in adapting this beloved musical to the big screen (not an easy task), and considering the fact that this is his first big-budget feature, his accomplishment is even more resounding.

The movie follows the lives of two women, living in the tough city of "Chicago" in the 1920's. Velma Kelly (played by Catherine Zeta Jones) is a sexy stage performer, who finds herself thrown into prison after a fit of rage results in the death of both her husband and her sister who have been carry on an illict affair with each other. The other lady in question is wannabe starlet Roxie Hart (played by Renee Zellweger), a married woman, who after being seduced and duped by her devious lover, get revenge on him by shooting him dead. This act of vengeance also see's her taking a trip to prison, and it's here that a battle of one-up-man-ship commences between the two ladies, as both use whatever means at their disposal to get (a) out of jail and (b) gain the most publicity doing it. The connecting factor between Velma & Roxie comes in the form of an unscrupulous high profile defense attorney Billy Flynn (played by Richard Gere), who also knowing when to take advantage of an opportunity, becomes counsel for both women and their respective cases.

"Chicago" is fortunate enough to have several things going for it. Aside from strong direction from Rob Marshall, the film is blessed with memorable performances from it's three leads. Catherine Zeta Jones oozes a vampish nature to her portrayal of Velma Kelly. Looking every inch the star, she commands a strong presence in the film, and appears right at home handling both the singing and dancing aspects of the role with ease and class, not to mention a high degree of sexiness. Richard Gere also plays his part in the movie with aplomb. Despite his questionable tactics and somewhat dubious nature, Gere lends a roguish charm to his character which has you walking away if not liking then at the very least admiring his character's quick skill and cunning guile. Gere is also a strong performer in the areas of singing and dancing (much to my surprise!!). However, it's Renee Zellweger who takes centre-stage in "Chicago" - and boy, does she relish every moment of it. She is without doubt, the "star performer" of this film. With sly nods to past "blonde bombshells" such as Jean Harlow & Marilyn Munroe, Zellweger runs the gauntlet of high and lows that require of her character. From demure & sweet, to sly & munipulative, you never know what she gonna do next. And as with Zeta-Jones & Gere, Zellweger also does justice when it comes to belting out a tune, or doing the hot step.

Our three principals are lucky to have an equally talented supporting cast to back them up. From John C Reilly as the down-trodden husband of Roxie Hart, to Queen Latifah as the "larger-than-life" matron of a women's prison, everyone in this film is right on the mark with their performances. Yet at the heart of any good musical, is of course the musical numbers, and in this respect "Chicago" does not disappoint.

From the opening heat of "All That Jazz", to the saltry "When You're Good To Mama", through to the electric "Cellblock Tango", onto the wistful "Roxie", then to the playful kitsch of "Razzle Dazzle" to the all-out "Finale" featuring Velma & Roxie, "Chicago" scores big-time. The choreography, costume & set designs are all terrific, giving the film the look and feel it's rightly deserves.

With the high-profile success of "Moulin Rogue" in 2001, "Chicago" is likely to follow in the same footsteps, and hopefully this will continue a trend in Hollywood to bring back "the musical" - with the same love & attention that has obviously gone into making "Chicago". I highly recommend this film. You're guaranteed a enjoyable & entertaining night at the movies..... with a smile on your dial, a tune in your head, and a spring in your step ....... go and treat yourself ..... you know you want to.......


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