When the menace known as the Joker emerges from his mysterious past, he wreaks havoc and chaos on the people of Gotham, the Dark Knight must accept one of the greatest psychological and physical tests of his ability to fight injustice.
Maximus is a powerful Roman general, loved by the people and the aging Emperor, Marcus Aurelius. Before his death, the Emperor chooses Maximus to be his heir over his own son, Commodus, and a power struggle leaves Maximus and his family condemned to death. The powerful general is unable to save his family, and his loss of will allows him to get captured and put into the Gladiator games until he dies. The only desire that fuels him now is the chance to rise to the top so that he will be able to look into the eyes of the man who will feel his revenge. Written by
Chris "Morphy" Terry
It is a common misconception that a Roman emperor put his thumb upwards to signify that a gladiator was to be spared, whereas thumb down meant that there would be no mercy for a downed gladiator. In reality, this gesturing was the other way around: thumb up symbolized a sword action (and thus death), and thumb down a sheathed sword (mercy). The crew was aware of this while making the film, but since "thumbs up" is considered to be a good sign nowadays, they decided not to unnecessarily confuse the audience. See more »
When Maximus is on his horse, he shouts "Roma Victor!" He should have shouted "Roma Victrix." See more »
And after your glorious coup, what then? You take your five thousand and... leave?
Yes, I will leave. The soldiers will stay here for your protection, under the guidance of the Senate.
So, after Rome's all yours, you just give it back to the people. Tell me why.
Because that was a dying man's last wish. I will kill Commodus. The fate of Rome, I leave to you.
Marcus Aurelius trusted you. His daughter trusts you. I will trust you. Give me two days, and I will purchase your freedom. And you, stay ...
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Both the Dreamworks & Universal logos are altered to appear gold in color so they match the opening theme of Maximus walking through a wheatfield. See more »
Most films require that the viewer identifies with the character to truly be engrossed with the film. If you can't feel something for the character, than the audience is lost.
Luckily, in Ridley Scott's case, Russel Crowe is so captivating and convincing as a general loved by his troops and as a slave loved by the people that the movie really works. Possibly one of the greatest actors today, Crowe carries this epic film on his very capable shoulders.
Not to say that he is the only reason this works. The supporting cast, most notably Connie Neilsen, buoy the film to new perspectives.
Jacquin Phoenix definitely captures the egotisitcal persona he should display, stealing every scene he's in. Phoenix will surely be put on the map with Gladiator.
But the real shining star in this film are the incredible action sequences which jolt the viewer right in with the opening sequences, as Maximus' true worth to the Roman Empire is displayed. Scott's camera work within these completed sequences takes a modern twist that really works for the gruesome scenes.
Crowe will now get the respect he deserves for this collosal performance. Gladiator makes the most of its 2 and a half hours, marking a triumphant comeback for the long forgotten epics of the classic days of film. ALL HAIL MAXIMUS!
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