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Raging Bull (1980)

An emotionally self-destructive boxer's journey through life, as the violence and temper that leads him to the top in the ring destroys his life outside it.

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(based on the book by) (as Jake La Motta), (with) | 3 more credits »
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Top Rated Movies #122 | Won 2 Oscars. Another 22 wins & 26 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Frank Adonis ...
Joseph Bono ...
Frank Topham ...
Toppy
Lori Anne Flax ...
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Charlie - Man with Como
Don Dunphy ...
Himself - Radio Announcer for Dauthuille Fight
Bill Hanrahan ...
Eddie Eagan
Rita Bennett ...
Emma - Miss 48's
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Storyline

When Jake LaMotta steps into a boxing ring and obliterates his opponent, he's a prizefighter. But when he treats his family and friends the same way, he's a ticking time bomb, ready to go off at any moment. Though LaMotta wants his family's love, something always seems to come between them. Perhaps it's his violent bouts of paranoia and jealousy. This kind of rage helped make him a champ, but in real life, he winds up in the ring alone. Written by alfiehitchie

Plot Summary | Plot Synopsis

Genres:

Biography | Drama | Sport

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

19 December 1980 (USA)  »

Also Known As:

The Raging Bull  »

Box Office

Budget:

$18,000,000 (estimated)

Opening Weekend:

$13,568 (USA) (28 January 2005)

Gross:

$45,250 (USA) (11 February 2005)
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Company Credits

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Technical Specs

Runtime:

| (TV)

Sound Mix:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Jake LaMotta's autobiography, co-written with friend Peter Savage, omitted mention of his brother, as did Mardik Martin's original screenplay. Unhappy with the result, the producers hired Paul Schrader to restructure it, and in the course of doing research on La Motta, the writer came across an article on the relationship between Jake and his brother Joey LaMotta. Schrader incorporated the relationship into the revised screenplay, co-opting the Savage character and creating a composite of the two men in the person of Joey La Motta. That relationship became the central plot theme in the revised screenplay and one of the primary reasons for the film's success. See more »

Goofs

Tommy Como's hand position changes between shots when he has his arm around Jake when sitting at Tommy's table at the night club. See more »

Quotes

[first lines]
Jake La Motta: I remember those cheers / They still ring in my ears / After years, they remain in my thoughts. / Go to one night / I took off my robe, and what'd I do? I forgot to wear shorts. / I recall every fall / Every hook, every jab / The worst way a guy can get rid of his flab. / As you know, my life wasn't drab. / Though I'd much... Though I'd rather hear you cheer / When you delve... Though I'd rather hear you cheer / When I delve into Shakespeare / "A horse, a horse, my kingdom for a ...
[...]
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Crazy Credits

The film is in black and white, but during the opening credits, the title is in red letters. See more »

Connections

Referenced in CSI: Crime Scene Investigation: Fannysmackin' (2006) See more »

Soundtracks

Frenesi
Performed by Artie Shaw
Courtesy of RCA Records
Music by Alberto Domínguez (uncredited)
Lyrics by Leonard Whitcup (uncredited)
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Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Classic examination of masculinity
16 March 2002 | by (United Kingdom) – See all my reviews

The story of boxer Jake La Motta from his rising star in the 1940's through to his own downfall and his eventual living on the cabaret circuit in the present day.

Scorsese and De Niro – nobody needs say any more. Whether it be media satire (King of Comedy), small time thugs (Mean Streets) or real gangsta s**t (Goodfellas), the two rarely miss. This was one of their best to date (and probably for ever). The story is fascinating in itself but as an examination of masculinity it excels. The film allows us to watch a man who goes along with all the things he thinks make him a man – even when those characteristics and habits begin to destroy everything he has – his marriage, his realtionships and his career. Combine this with the gripping boxing tale of ups and downs and you have a film that never outstays it's welcome.

Scorsese is on top form – the use of black and white any have been a quality issue, but he uses it well. The fight scenes are other worldly – exaggerated to the extent that it is breathtaking and more shocking than previous boxing scenes in other movies. My favourite effect is the sound editing in the fights where silence and calm seem to descend just before key moments…..amazing. The relationship stuff is also gripping and Scorsese handles he human cost just as well as he shows us the physical beatings.

De Niro is amazing – the method stuff alone is great, but his whole performance is intense. Similarly Moriaty, Pesci and Frank Vincent are excellent – however they all stand in De Niro's shadow.

Overall – an excellent film on so many levels, as a story, as a examination of masculinity, as a sports film, as a lesson in direction and editing…..this excels in so many ways – may it never drop out of the top ten from the twentieth century!


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