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Close Encounters of the Third Kind (1977)

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After an accidental encounter with otherworldly vessels, an ordinary man follows a series of psychic clues to the first scheduled meeting between representatives of Earth and visitors from the cosmos.

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'Close Encounters of the Third Kind' at 40

Celebrate the 40th anniversary of Steven Spielberg's cultural phenomenon Close Encounters of the Third Kind with a look at images from the film.

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Won 1 Oscar. Another 14 wins & 37 nominations. See more awards »
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Cast

Cast overview, first billed only:
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Claude Lacombe (as Francois Truffaut)
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Wild Bill (as Warren Kemmerling)
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Shawn Bishop ...
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Justin Dreyfuss ...
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Storyline

Two parallel stories are told. In the first, a group of research scientists from a variety of backgrounds are investigating the strange appearance of items in remote locations, primarily desert regions. In continuing their investigation, one of the lead scientists, a Frenchman named Claude Lacombe, incorporates the Kodály method of music education as a means of communication in their work. The response, in turn, at first baffles the researchers, until American cartographer David Laughlin deciphers the meaning of the response. In the second, electric company lineman and family man Roy Neary and single mother Jillian Guiler are among some individuals in Muncie, Indiana who experience some paranormal activity before some flashes of bright lights in the sky, which they believe to be a UFO. Roy becomes obsessed with what he saw, unlike some others, especially in some form of authority, who refuse to acknowledge their belief that it was a UFO in not wanting to appear crazy. That obsession ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

We are not alone See more »

Genres:

Drama | Sci-Fi

Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

| | |

Release Date:

14 December 1977 (USA)  »

Also Known As:

CE3K  »

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Box Office

Budget:

$20,000,000 (estimated)

Gross USA:

$132,088,635

Cumulative Worldwide Gross:

$303,788,635
See more on IMDbPro »

Company Credits

Show more on  »

Technical Specs

Runtime:

(Special Edition) | (Theatrical Original) | (Director's Cut)

Sound Mix:

(70 mm prints)| (35 mm prints)

Color:

(Metrocolor)

Aspect Ratio:

2.39 : 1
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Did You Know?

Trivia

Steven Spielberg repeatedly watched John Ford's The Searchers (1956) while he was making the film. See more »

Goofs

In the first scene in the desert, although it appears to be around noon at the beginning, by the end of the scene the sun is clearly on the horizon and setting, even though only a short amount of script-time has passed. See more »

Quotes

David Laughlin: Have you recently had a close encounter?
See more »

Crazy Credits

In the 1980s special edition, the new musical edition features the end credits different, then the fades into well after the end credits to the black screen. See more »

Connections

Spoofed in Young Doctors in Love (1982) See more »

Soundtracks

She'll Be Comin' 'Round the Mountain
(uncredited)
Traditional
Whistled by a UFO observer
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Mixed feelings

When I saw this first in the theatre I was blown away. It affected me profoundly. I thought the whole concept was fresh and new, the family strife, the yearning for and then actively seeking a higher concept for one's life, the mental breakdown of the main character as he tries to visualize what's inside his head: messages from alien beings.

Richard Dreyfus, Francois Truffaut, Teri Garr, Melinda Dillon, all perfectly cast. Along with Cary, the child actor who is brilliant.

As a microcosm of life in the seventies, the film is amazingly evocative, the perfect young family suburb, the children, the stay at home wife, the backyard barbecues. The husband who is a dreamer and when he starts to act it out, shatters this perfect home life.

Then the action moves to the mountain where the aliens are preparing to land. This scene got me in the theatre and gets me now. It is highly emotional. The music, the lights, the response of the mother ship. Highly charged cinematic moments.

However, and it is a big one. The transition of Richard Dreyfuss's character is far too sudden, he turns his back on children he obviously adores without any reflection whatsoever. How on earth would they survive in a seventies world without his income? Also Bob Balaban and Richard Dreyfuss are almost twin like in appearance and I kept getting them mixed up.

Francois Truffaut gave a fine performance as did many of the minor players. And the special affects - way before modern CGI - are breathtaking for their time.

Sometimes one is better leaving a movie seen in a theatre on its release exactly there: a one time viewing only. Seeing it for a second time removes the wonder and awe of that first viewing.

I would have given it a 9 the first time, this time a 6 so I calculated a 7 out of 10 to be fair.


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