7.5/10
49,046
176 user 77 critic

Marathon Man (1976)

A graduate history student is unwittingly caught in the middle of an international conspiracy involving stolen diamonds, an exiled Nazi war criminal, and a rogue government agent.

Director:

Writers:

(screenplay), (from: his novel)
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Nominated for 1 Oscar. Another 4 wins & 9 nominations. See more awards »
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A naive hustler travels from Texas to New York to seek personal fortune but, in the process, finds himself a new friend.

Director: John Schlesinger
Stars: Dustin Hoffman, Jon Voight, Sylvia Miles
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Cast

Cast overview, first billed only:
...
...
...
Doc
...
...
...
...
...
Allen Joseph ...
Babe's Father
Tito Goya ...
Ben Dova ...
Szell's Brother
Lou Gilbert ...
Rosenbaum
...
LeClerc
James Wing Woo ...
Nicole Deslauriers ...
Nicole
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Storyline

Tom Levy, who is nicknamed Babe by his older brother Henry Levy, an oil executive who in turn is nicknamed Doc by Tom, is a Ph.D. candidate in History at Columbia University. He is also training to run a marathon. Tom is paying homage to his deceased father, H.B. Levy, in pursuing the same studies as him, his father who committed suicide while being under investigation solely for being a Jew. Tom's work doesn't sit well with Doc who wants Tom to move on with his life. While at Columbia, Tom meets and begins to date Elsa Opel, a foreign exchange student also in History. While out for a walk in Central Park late one day, Tom and Elsa are mugged, the unusual aspect of it being that their attackers were men in suits. Tom will learn that the mugging was not a random attack after someone close to Tom is found murdered, the deceased who was not who he purported to be. From here, Tom is thrown into an international plot concerning a WWII Nazi named Christian Szell in hiding, and a large cache... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

A thriller. See more »

Genres:

Crime | Thriller

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| | | |

Release Date:

8 October 1976 (USA)  »

Also Known As:

Der Marathon-Mann  »

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Box Office

Budget:

$6,500,000 (estimated)

Gross USA:

$21,709,020
See more on IMDbPro »

Company Credits

Show more on  »

Technical Specs

Runtime:

Sound Mix:

|

Color:

(Metrocolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The last commercially successful film directed by John Schlesinger. See more »

Goofs

Janeway fires his gun at one of Szell's men. It is later relieved they were blanks. However, the gun made an actual firing sound, not a sound effect like a blank would sound. See more »

Quotes

Janeway: My name's Peter Janeway. But you can call me Janey, all of my friends do.
Babe: I'm not your friend.
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Crazy Credits

The ending credits scroll with Babe's jogging route as a backdrop. See more »

Connections

Edited from Tôkyô orinpikku (1965) See more »

Soundtracks

Dors, o cité oerverse
(1881)
(from 'Hérodiade')
Music by Jules Massenet
Libretto by Paul Milliet (uncredited) and Henry Grémont (uncredited)
Sung by Joseph Rouleau, with the Orchestra of the Royal Opera House (Royal Opera House Covent Garden Orchestra)
Conducted by John Matheson
Courtesy of London and Decca Records
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User Reviews

 
Schlock Flick Masquerading as a Prestige Picture
1 March 2008 | by See all my reviews

The high ratings for Marathon Man are no doubt focused on the substantial talent assembled to pull it off, and they succeed as long as one dispenses with every expectation of logic or common sense. Schlesinger builds substantial suspense, and there are plenty of satisfying scenes, but the plotting and story points are ridiculous beyond measure. This might not be a problem if it were any other type of picture, but the progressive unfolding of an initial puzzle to a somewhat sensible (or at least rational) set of revelations is one of the hallmarks of the government intelligence thriller. The story here, however, is so thin that virtually nothing happens for the entire first half of the picture, and the second half is really nothing more than one long chase sequence. The biggest problem is that the central objective of the action is precipitated by a murder that, if contemplated for more than about twenty seconds, reveals itself to make absolutely no sense whatsoever. And the illogical story points are not just structural. There are numerous details throughout that are obviously (and, to my mind, condescendingly) designed as mere conveniences for the the action, regardless of how inane or inexplicable they may be. The veneer of star power and sophisticated production values did not--for this viewer, at any rate--successfully obfuscate the movie's considerable flaws.


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