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The Sting (1973)

Two grifters team up to pull off the ultimate con.

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Top Rated Movies #95 | Won 7 Oscars. Another 10 wins & 6 nominations. See more awards »

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Cast

Cast overview, first billed only:
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John Heffernan ...
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Jack Kehoe ...
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Luther Coleman (as Robertearl Jones)
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Mottola (as James J. Sloyan)
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Lee Paul ...
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Storyline

Johnny Hooker, a small time grifter, unknowingly steals from Doyle Lonnegan, a big time crime boss, when he pulls a standard street con. Lonnegan demands satisfaction for the insult. After his partner, Luther, is killed, Hooker flees, and seeks the help of Henry Gondorff, one of Luther's contacts, who is a master of the long con. Hooker wants to use Gondorff's expertise to take Lonnegan for an enormous sum of money to even the score, since he admits he "doesn't know enough about killing to kill him." They devise a complicated scheme and amass a talented group of other con artists who want their share of the reparations. The stakes are high in this game, and our heroes must not only deal with Lonnegan's murderous tendencies, but also other side players who want a piece of the action. To win, Hooker and Gondorff will need all their skills...and a fair amount of confidence. Written by headlessannie

Plot Summary | Plot Synopsis

Plot Keywords:

con | caper | con man | long con | murder | See All (93) »

Taglines:

...all it takes is a little Confidence. See more »

Genres:

Comedy | Crime | Drama

Certificate:

PG | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

25 December 1973 (USA)  »

Also Known As:

Der Clou  »

Box Office

Budget:

$5,500,000 (estimated)

Gross:

$159,600,000 (USA)
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Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The art work used in the credits and inter-titles were inspired by The Saturday Evening Post, a weekly publication that enjoyed its biggest popularity during the 1930s, the time period in which the story takes place. See more »

Goofs

When Hooker is chased into the ally by Cole he escapes by hiding in a man-hole. However, it would take much longer to remove the heavy cast iron lid, step into it down the ladder and close the lid above him than the 10 seconds or so that Hooker is ahead of Cole. See more »

Quotes

Louise Coleman: If I didn't know you better, I'd swear you had some class!
See more »

Crazy Credits

The opening animated logo for Universal Pictures is in 1930s style, matching the movie's setting, instead of the 1970s version. See more »

Connections

Referenced in Aída: La inmigración vive arriba (2007) See more »

Soundtracks

Gladiolus Rag
(1907) (uncredited)
Written by Scott Joplin
Conducted and Adapted by Marvin Hamlisch
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
A Lightweight, Clever Throwback to the Big Cons of the 1930's.
24 January 2000 | by (Philadelphia, PA) – See all my reviews

At first sight, THE STING appears to be nothing more than a television movie. It is entirely plot-driven with no real stand out characters or personalities. What makes the film work is excellent production design and a delightfully clever plot filled with many surprises. The movie is feather-weight emotionally, but the depth of the "con" and the way it is fashioned by screenwriter David Ward leaves you with a pleasant experience.

This is more Redford's film than Newman's, who reunite with George Roy Hill, director of BUTCH CASSIDY AND THE SUNDANCE KID. The legendary actors were more flesh and blood in that film, but here, they are merely players who carry the story along. With lesser actors, THE STING may have been a forgettable piece of work. Redford does all of the dirty work after Newman's initial "hook", but the omniscient presence of Newman, as big-time grifter "Henry Gondorff" exists throughout. A mysterious gloved character, a crooked cop, the FBI, and a seemingly bigger con-man "Doyle Lonnegan" (played by the late, great Robert Shaw) are some of the players who are involved in some events that seem to be manipulated by an unseen force. Is Newman as good as he claims in trying to clean out Shaw? We'll see.

The film is shot simply by Hill. No tricky angles or contrived camera movements are used. The action takes place simply in front of us. The production design by Henry Bumstead and James Payne recreates old-time Chicago through the use of built sets, matte paintings of a smaller sky-line, and some location shots. It gives the film an almost artificial look which is fitting considering it is a direct homage to the 1930's and the gangster pictures that so dominated that decade. The story is even furthered by title pages describing "the set-up, the hook, and the sting". They are turned like pages in a book, adding a drop of elegance to a crooked world. An iris is even employed in some scenes.

THE STING is definitely lightweight entertainment. It does not provoke much thought or insight into what is happening on screen. Fun is the word for this amusing little film that depicts a masterful plan for a big steal which would be impossible to pull off today. Look out for Ray Walston in a hilarious role announcing horse races and their results as they are "happening" just after receiving word of the "real" race results from a back room in the betting house. These are good con-men.

RATING: ***


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