8.0/10
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5 user 2 critic

Skupljaci perja (1967)

Bora the Gypsy is married to an older woman, and he falls in love with the younger Tissa, who is being offered in marriage by her father, to a young gypsy man. This marriage arrangement is ... See full summary »
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Nominated for 1 Oscar. Another 5 wins & 3 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
Bora
...
Lence (as Olivera Vuco)
Velimir 'Bata' Zivojinovic ...
Mirta (as Bata Zivojinovic)
Mija Aleksic ...
Otac Pavle ... svestenik
Gordana Jovanovic ...
Tisa
Rahela Ferari ...
Igumanija
Stojan Decermic ...
Vozac hladnjace
Severin Bijelic ...
Religiozni seljak
Janez Vrhovec ...
Sudija za prekrsaje
Milivoje 'Mica' Tomic ...
Rumun (as Mica Tomic)
Djordje Pura ...
Islednik
Branislav 'Ciga' Milenkovic ...
(as Br. Milenkovic)
Bozidar Pavicevic-Longa ...
Vozac hladnjace II (as Bozidar Pavicevic)
Zoran Longinovic ...
Islednik II
Milorad Jovanovic ...
Toni
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Storyline

Bora the Gypsy is married to an older woman, and he falls in love with the younger Tissa, who is being offered in marriage by her father, to a young gypsy man. This marriage arrangement is according to custom. Tissa rejects her husband, claiming he is not able to consumate the marriage, and Bora joins her. They get a monk in the mountains to marry them. Unable to return to the Gypsy camp, Tissa tries to reach Belgrad on her own, but a couple of truck drivers rape her, and she does return in misery to her tribe. Meanwhile, Bora defends his honour the traditional way, in a knife duwl, and kills his opponent. Therefore he, too, must leave the tribe. And yet, we'll find happy gypsies... Written by Artemis-9

Plot Summary | Add Synopsis

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In Vivid Color

Genres:

Drama

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Details

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Language:

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Release Date:

20 March 1968 (USA)  »

Also Known As:

Ah, bu çingeneler  »

Filming Locations:

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Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

Color:

| (Eastmancolor)

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

In 1996, members of the Yugoslavian Board of the Academy of Film Art and Science (AFUN) voted this film the second best Serbian movie in 1947-1995 period. See more »

Connections

Referenced in Dom za vesanje (1988) See more »

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User Reviews

 
Review
19 December 2015 | by (Serbia) – See all my reviews

When I was a boy, my parents were telling me that in order to stay safe, I need to avoid Roma people. As they were explaining to me, they would kidnap me and sell me into slavery.

At the basketball court and playground in front of our building, the very building I am still living in, there were several Roma boys and girls. They were a lot older than me and we all played together. Yes, there were some incidents and fights amongst all of us, but I can't recall I've ever had problems being safe. There were some violent boys but I always attributed that to problematic upbringing and their social status: they were raised in poor and dysfunctional families.

This film offers fantastic, colorful, stunning, absolutely vivid representation of cultural values and aesthetics of Roma people along with tragedy of their existence. What Petrovic succeeded is to create almost unbearable heaviness of being (yes, the complete opposite of Kaufman's almost similar titled masterpiece). And just when you think of, or rather try to find any hope for protagonists, there is another darkness and tragedy waiting behind the corner. It seems that life of a majority of Roma people, everywhere in the world, is constant struggle against social stigma, prejudice, poverty (which is the output of social exclusion). Than again, those are the very problems other nations/people are facing, too. Which is strange as we are enjoying much higher levels of education, freedom, technology and such. It is obvious that 'Great promise' which followed Industrial Revolution didn't brought what we expected; great happiness for most of the people, unlimited personal freedom, technological advance available to everyone.

Yet, with all those centuries-old problems, Roma people seems much more alive than most of 'us', Western people/nations. Being 'trapped' in poverty and inhumane living conditions, they are living without limits, experiencing strong basic emotions on an everyday basis, constantly trying to overcome their harsh reality.


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