6.3/10
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31 user 3 critic

Great Guy (1936)

Approved | | Crime, Drama, Film-Noir | December 1936 (USA)
The adventures of an investigator (Cagney) for the Bureau of Weights and Measures.

Director:

Writers:

(story "The Johnnie Cave Stories"), (screenplay) | 2 more credits »
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Cast

Complete credited cast:
...
...
Janet Henry
...
Pat Haley
...
Pete Reilly
...
Abel Canning
...
Hazel
Edward McNamara ...
Capt. Hanlon
...
Marty Cavanaugh
...
Burton
...
Al
Matty Fain ...
Tim
...
Mrs. Ogilvie
Wallis Clark ...
Joel Green
Douglas Wood ...
Mayor
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Storyline

It's the New York Department of Weights and Measures vs. a systematic effort to cheat the public by giving them less product than they pay for...organized by crooked city alderman Marty Cavanaugh, who put the last chief deputy inspector in the hospital. The new man, pugnacious Johnny Cave, steps on the toes of influential merchants and gets increasing pressure, both political and strong-arm, to desist. Will the luck (if not the pluck) of the Irish pull him through? Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Add Synopsis


Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

December 1936 (USA)  »

Also Known As:

El gran tipo  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

| (Ontario)

Sound Mix:

(RCA High Fidelity Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The failure of the original copyright holder to renew the film's copyright (Grand National Pictures declared bankruptcy in 1939) resulted in it falling into public domain, meaning that virtually anyone could duplicate and sell a VHS/DVD copy of the film. Therefore, many of the versions of this film available on the market are either severely (and usually badly) edited and/or of extremely poor quality, having been duped from second- or third-generation (or more) copies of the film. See more »

Quotes

Johnny 'Red' Cave: I'll see you in jail, bread-snatcher!
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User Reviews

 
The Great Cagney shines in this Poverty Row gem
18 November 2004 | by See all my reviews

Early in the movie, Cagney's Johnny Cave character tells his gumshoes in the Office of Weights and Measures that in the previous year, unscrupulous shop owners had cheated the American consumer out of more money than the aggregate National War Debt! Then he goes out and tickets a particularly greasy green grocer for short-selling him a bag of sugar that is four ounces off (oh, the horrors!!) and one skinny chicken that his butcher's scale has rather generously proclaimed to be six lbs., after which the fur--or in this case feathers--flies. Er, fly. When a racketeer in politician's clothing attempts to derail an investigation into the paltry poultry purveyor's practices, our hero becomes a lone wolf waging the war of the weights on behalf of housewives across America. After all, four cents here and a quarter there add up and before we know it we have anarchy! Word of his intransigence soon reaches both the Mayor and the Governor's offices, and Cagney becomes a marked man. If it sounds silly, it's not--the dishonest retailing practices are only a plot tool (or as Hitchcock would say, the McGuffin) and while unfamiliar, it works every bit as well here as any Treasury Agent or G-man anthology in which the fight is taken to shady crooks who are operating outside the interests of the country's common good. The production standards are decidedly Grade-B, but it is Cagney who makes this movie the delight that it is: this was his first film away from Warner Brothers after seeking release in court from his unreasonable contract, and he seems to be at ease and enjoying himself tremendously--the performance turned in here is intelligent and crackles with his unique energy and surefire charisma. Mae Clarke's presence lends a definite Warner's feel to the overall production. The supporting players turn in solid performances and the story moves along smartly after a rocky introduction that seems to begin three or four reels into the story--but sit back and enjoy it for the Cagney showcase and engaging Depression-era time capsule that it is.


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